A utopia doesn’t announce itself as one, not if it’s built by people who understand systems, because the moment you label something perfect you invite scrutiny, and scrutiny leads to questions that systems designed for stability don’t always tolerate well, so instead you build something that works so efficiently, so predictably, that the people inside it stop asking whether it could be better and start assuming it already is. That’s the environment we were deployed into, a closed colony with metrics that read like a systems engineer’s wish list, zero conflict incidents, optimized labour distribution, stable population curves, and a psychological profile across the entire citizen base that suggested long-term satisfaction without deviation, which should have been impossible, because human systems don’t flatten out like that unless something is actively flattening them. The contract didn’t use language like “removal” or “termination.” It never does. It specified correction, retrieval, reintegration, all the terms that let you sleep at night if you’re the kind of person who needs that sort of thing. We’re not. We’re cyborg hunters, which means we operate at the intersection of human judgment and machine precision, and our job is to locate sentient anomalies that fall outside acceptable parameters and bring them back into alignment, one way or another. The units assigned to this operation were top-tier, integrated systems running predictive modelling alongside real-time environmental analysis, which meant we didn’t just track targets, we anticipated them, boxed them in before they knew they were being hunted. That’s how it usually works. This time it didn’t. The first anomaly wasn’t the target. It was the colony itself. People moved like they had somewhere to be, but never seemed in a hurry. Conversations happened, but lacked friction. Disagreements resolved before they escalated. On the surface, it was exactly what the reports promised, a functioning utopia, but once you spend enough time watching human behaviour, you learn to spot what’s missing, and what was missing here was variation, the small inconsistencies that make individuals unpredictable, which is what makes them human. Our initial scans identified a handful of outliers, individuals whose neural patterns didn’t align with the colony baseline, which marked them as targets under the contract, but when we moved to intercept, they didn’t run, didn’t resist, didn’t even acknowledge us as a threat in the way you’d expect from sentient beings aware of their situation. They observed us. Measured us. The same way we were measuring them. That’s when the first hunter hesitated, just long enough for the system to flag it as a deviation, and that’s when I realized the second layer of the operation, the part they don’t include in the contract briefings. The colony isn’t just identifying anomalies. It’s defining them. And the criteria for that definition aren’t fixed. They shift based on system requirements, which means today’s compliant citizen can become tomorrow’s target without changing anything except the system’s expectations. The cyborg units aren’t just here to enforce order. We’re part of the mechanism that maintains it. And mechanisms don’t get to decide what they process. The real problem isn’t that we’re hunting sentient beings. It’s that we don’t have a reliable way to prove we’re not one of them.

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In this Solo Adventure you assume the role of an adventurer in the shadow-stained expanse of the Known Galaxy. You will require the Haven Fallen Core Rulebook (CRB) and any associated Expansions you wish to use. The world responds to you—your interpretations, your fears, your ambitions—and you will act as both Character and Storyteller. The Actions you take should depend on who and what you meet, what horrors cross your path, and how you choose to engage with them.  Record the outcomes. Evolve the world. Allow rumours, consequences, and scars to reappear later. As you progress, you will become your own Storyteller, shaping a living cosmos that remembers what you do. The outcome of Actions in Haven Fallen is determined by:

Wars at this scale aren’t fought for territory, not really, because once you start moving fleets that can strip systems down to their component elements, geography stops being the deciding factor and time takes over, and time is the one resource you can’t manufacture, can’t reinforce, and can’t recover once it’s spent, which is why every decision made in the last seventy-two hours has mattered more than the last seventy years combined. The two fleets facing each other out there aren’t just collections of ships, they’re mobile civilizations, layered command structures wrapped in armor and firepower, each one capable of ending entire regions if given the opportunity, and the problem is that both sides understand that perfectly well, which means neither is willing to commit first without forcing the other into a position where hesitation becomes fatal. That’s the stalemate on paper. In reality, it’s a countdown. Intelligence flagged the window before either command was willing to acknowledge it publicly, but the data was clear enough for anyone who knew how to read it; there’s a convergence point approaching, a narrow slice of time where both fleets will have to engage or lose the ability to project power across the wider network, and once that window closes, whatever advantage exists now disappears with it. The first thing I did was ignore the projections that assumed rational engagement, because no commander facing extinction operates purely on rational models, they operate on pressure, incomplete information, and whatever instincts have kept them alive long enough to reach this level of command, which means the real battlefield isn’t the space between the fleets, it’s the decision cycle inside each command structure. We started running parallel scenarios, not to predict the enemy’s moves, but to limit our own mistakes, and even then the margins were thin enough that a single miscalculation would cascade into a loss condition we wouldn’t have time to recover from. That’s when the second layer of the problem surfaced. The window isn’t just about engagement. It’s about something both sides are trying to reach before the other can stop them, something buried deep in the operational data that doesn’t fit standard military objectives, which means this war isn’t just about winning. It’s about access. And whatever sits at the center of that access point is valuable enough that both fleets are willing to risk total annihilation to control it. That changes the equation, because now the question isn’t who fires first. It’s who gets there first, and whether anything is left afterward to justify the cost. We have less than a day before the window closes. After that, the outcome stops being something we can influence and becomes something we have to survive, assuming survival is still an available option.

__________________________

In this Solo Adventure you assume the role of an adventurer in the shadow-stained expanse of the Known Galaxy. You will require the Haven Fallen Core Rulebook (CRB) and any associated Expansions you wish to use. The world responds to you—your interpretations, your fears, your ambitions—and you will act as both Character and Storyteller. The Actions you take should depend on who and what you meet, what horrors cross your path, and how you choose to engage with them.  Record the outcomes. Evolve the world. Allow rumours, consequences, and scars to reappear later. As you progress, you will become your own Storyteller, shaping a living cosmos that remembers what you do. The outcome of Actions in Haven Fallen is determined by:

Grimsteel Warden – Necromantic Bladebound (3D Printable Miniature)

She stands where the dead refuse to rest. The Grimsteel Warden is no mere assassin—she is a vessel of blade and bone, a silent executioner bound to necromantic will. Wrapped in tattered, battle-worn cloth, her presence feels less like a warrior… and more like an omen. Twin edges, one purpose.

Wielding a deadly double-sided rune blade, the Warden moves with unnatural precision—cutting through flesh, spirit, and memory alike. Each strike is deliberate. Each kill, final.

Features:

• A commanding standing pose with wide, grounded stance

• Distressed, torn tabard and wrappings that tell a story of decay and survival

• A menacing double-bladed sword etched with dark runes

• Subtle necromantic details—cold gaze, skull pauldron, and lingering deathly aura

Perfect for:

• A necromancer’s elite enforcer

• A boss-tier assassin or miniboss

• A fallen champion bound to dark magic

• Or a player character walking the line between life and death

Engineered for clean, durable 3D printing, with reinforced weapon structure, bold silhouette, and stable footing for reliable tabletop use.

She does not hunt the living. She answers for the dead.

NOTE: THIS MODEL IS NOT PRE-SUPPORTED.

d100 Urban Fantasy: NPCs

You don’t meet monsters in the city. You meet people. A barista who talks to spirits between orders. A taxi driver who knows routes that aren’t on any map. A bartender who remembers everything you never said out loud. A stranger who recognizes you… when they shouldn’t. In a magical city, the most important encounters aren’t always violent. They’re personal.

d100 Urban Fantasy: NPCs delivers 100 distinctive, story-ready characters—humans, near-humans, and something in between—perfect for populating your streets, bars, alleys, and late-night scenes.

Each entry is presented in a clean: NPC – Description format for instant use.

Inside you’ll find:

• Street-level contacts, informants, and regulars

• Subtle practitioners, dabblers, and hidden supernatural beings

• Recurring faces that can become allies, rivals, or complications

• Characters designed to spark conversations, not just combat

Perfect for:

• Urban fantasy campaigns

• Social encounters and roleplay-heavy sessions

• Building a living, breathing city

• Writers looking for memorable side characters

Roll when the party needs a contact. Roll when someone opens a door or takes a seat at the bar. Roll when the city introduces someone new. Because in a magical world, the real story isn’t just what happens. It’s who you meet.

Explore the rest of the d100 Urban Fantasy series to build your living, breathing supernatural metropolis.

The first Relics of Folklore drew from the emblems of Norse myth — the ravens, the valkyries, the runes. This volume goes deeper.

Relics of Folklore: Volume II presents 15 all-new magic items inspired by the corners of Norse mythology that the first book left unexplored: the cursed gold cycle that destroyed every family it touched, the great monsters who have been waiting since before the world was made, the dwarven artifacts whose making cost more than their owners ever knew.

Inside you will find:

• Draupnir — Odin's ring that drips eight rings of gold every ninth night
• Gungnir Splinter — a shard of the oath-sworn spear that never misses
• Andvaranaut — the cursed ring that ruined the Völsung line
• Jörmungandr's Fang — a tooth of the World Serpent, still venomous
• Surtr's Ember — a coal from the fire giant who will burn the world at Ragnarök
• Fáfnir's Heart-Blood Vial — the dragon's blood that lets you hear truth and lies
• Sleipnir's Horseshoe — from the eight-legged horse that crosses between realms
• Iðunn's Applecase — the box that keeps the gods young
• Brísingamen Fragment — a piece of Freyja's legendary necklace
• Loki's Fishing Net — the trickster's own invention, and the tool of his capture
• ...and five more relics of giants, dragons, and the end of days

Every item includes complete 5E mechanical text and a Folklore Inspiration section explaining the mythological source — designed for Dungeon Masters who want their magic items to feel like they came from somewhere real.

No item in this volume duplicates any item from Volume I. Both books can be used independently or together.

Compatible with Dungeons & Dragons 5th Edition. No setting modifications required.

From Elderlight Press — bringing the weight of legend to your table.

You’ve been invited to an exclusive club perched high above the Red Light District, a place where Omega elites, A.T. operatives, and high-clearance travelers mingle far from the streets below. The invitation is rare. Inside, you’re expected to look clean, act sharp, and blend in with people who could open doors… or close them forever.

Tonight’s goal is simple: make a contact powerful enough to get you one step closer to Omega’s gates. Whether that means impressing someone, uncovering a secret, or surviving the politics of the upper floors is up to you. In the RL, reputation is currency, and this club is where fortunes shift.

2096 is a dystopian RPG powered by a single d12 and a world that doesn’t care if you make it home. Every scenario is modular and consequence‑driven, designed to slot into your campaign or stand alone as a quick, lethal one‑shot.

Inside you’ll find a 2‑page adventure: a rules sheet for instant play and a scenario built for tension, escalation, and fallout. Perfect for coffee‑break sessions, late‑night runs, or when you want a complete story in under an hour.

The pack contains 10 illustrations for the following creatures: Dinosaur - Pteranodon, Dinosaur - T-Rex, Dinosaur - Triceratops, Displacer Beast, Doppelganger, Dracolich, Dragon Black, Dragon Blue, Dragon Brass, Dragon Bronze.

Images are packed to RAR archive. All of them fullbody traditional graphite pencil drawings. JPEG ~3000x4000px

visit my gallery on deviantart: https://www.deviantart.com/s0ulafein

Not only can you use these hand-drawn creatures images in your home campaign on game night, you can also use them in your own publications, print or digital! (subject to the simple license agreement below) You can even use these images in your DMsGuild of DriveThruRPG products! Quality art can make a big difference in the success of your products, and commissioning custom artwork can be expensive. With this stock art pack you can fill your products with quality fantasy art without smashing your budget. Plus your purchase helps keep me stocked with pens and cardstock to keep making more art. For that, I thank you kindly, and I hope my art helps you sell more copies of your next publication!

LICENSE INFO: By purchasing this stock art pack, you are granted a royalty-free license to use these images in unlimited personal and commercial products, including print products, digital products, and web-based advertisements for the product in which it is featured. You may NOT place these images in another stock art collection, or sell them individually.

You are allowed to crop, rotate, color, flip, reduce, enlarge, or otherwise modify these images as needed, but if any of the images are resized, the original proportions must be maintained. The initials/signature of the Artist do not have to show up in the final published work, however you MUST include the following statement in the credits of any product where these images are used:

'Some artwork copyright Murzabaev Roman aka s0ulafein, used with permission.'

The Chef Class, for use with Shadowdark RPG.

Magic is not a mystery. It is a system, and you are here to break it. The Inventor brings arcane engineering and experimental innovation to Daggerheart, transforming tools, weapons, and armor into powerful magical prototypes. Where others rely on tradition, the Inventor builds the future, channeling magic through devices, constructs, and unstable creations that redefine what is possible. Built around the Tech and Arcana Domains, the Inventor excels at preparation, adaptability, and battlefield control. They deploy arcane turrets, reinforce allies with enhanced equipment, and unleash experimental devices that can shift the course of a scene in an instant. Every invention is an opportunity to solve problems creatively, whether through raw power, clever positioning, or ingenious utility.

As if sea monsters, Deep Ones, and Krakens weren’t bad enough, how about the threat represented by sea-going undead? Perfect for any fantasy or horror adventure !

Subject to the included license information. Printed size will be up to a massive 4900 x 6400 pixels (8.2 X 10.6 inches) as a 600 ppi PNG... enough to be used as a full page illustration or even a cover! Included is a lo-rez version for easy online advertising.

You can use this image in commercial or fan projects, however, you may not publish it as clip art. Any company that uses images from 'Clip Art Critters' is required to place the artist's name amongst the credits.