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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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I thought u/Un_Pak 's post of their lizardfolk character seemed fun, so I did up a piece of them.

Description from Un_Pak's post: His name is AkuKaerta, he was a soldier exiled from his tribe some time ago because he euthanized his sick sister that couldn't be cured. So he walked to a town far away and met an NPC that teached him to steal and conected to the thieves guild, I'm not sure where my DM will set us up so it is possible that I'm still in the guild and stuff or that was some time ago and now I'm some other place.

Has a player suggested or recommended a character that you don’t allow? What was the character? Why did you reject it?

This map is supposed to be a noble's mansion. And it'll be a homebrew oneshot similar to the movie Ready or Not, where the players will hide from their fiend cultist hosts, unarmed/unarmoured they have five rounds (30 seconds) before the hunt begins.

Scattered throughout the mansion are both magic and cursed items they can pick up, and their own gear are hidden as well.

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I feel like I'm overestimating my capabilities just cuz I had an idea for a oneshot. I volunteered to do it cuz theres no DM around (the ex-DM moved states). And idk if I'll just get laughed at this attempt at making a map (i got no money for actual professionally made maps and no access to printers).

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I ended up with this thing I drew (and i got zero skills) and now I'm second guessing, if I should just stick to smaller ideas. Like two or three linear dungeons.

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T^T

This is a commission I did for R07_02_027 and this is some of the description provided by my client

Moak is basically a sentient tree person who woke up alone in a forest with no idea where he came from or even what he was. He spent years wandering around, learning from animals and trying (usually unsuccessfully) to interact with people. Most humans either avoided him or treated him like some strange creature, which left him pretty confused about where he fit into the world.

Things changed when he met Clif, a blind wandering monk who was the first person to treat him like an actual person. Clif taught him martial arts, told him about the world outside the forest, and eventually gave him the name Moak. After Clif was killed protecting him from a group of assassins, Moak left the forest and started traveling.

Right now he’s trying to figure out who created him, find the monastery Clif came from, and generally understand people and society. He’s curious, a bit naïve, and still learning how the world works, but if he cares about someone or something he’ll protect it without a second thought.

In my last (and first 1 time player lol) DnD campaign I was a crocodile fighting a giant snake while underwater, and some dices were rolled, and my DM said, "And now you are Prone."

I was simultaneously confused and indignant (in a good humor way) "How can I be prone while underwater as a crocodile whose maw was clamped on a giant snake that was also coiling on me with its tail???"

We had fun, and way too much laughs.

I recently started a new campaign in which I play a chronurgy wizard, and after a couple of sessions I found a spell scroll in a chest after completing a job for one of the townsfolk.

Instead of the current system in place of spending 2 hours, 50 gold/spell level and making the arcana check, the DM insists that I have to obtain a 100gp pearl in order to cast identify on the scroll before I am able to know what the spell does and copy it into my spell book. His logic is that because it is a spell from a different school of magic (still a wizard spell), I do not inherently understand how to copy it into my book, meaning 'identify' is necessary to understand what it is and how to use it.

I don't necessarily have a problem with the logic, and I'm aware that it would be cheaper because he said to do away with the actual cost of transcription, however there is a working system in place and it feels like a crucial part of my character and the wizard class in general (plus it's not like I'm going to spend my money on weapons and armour). I made the point that my character wouldn't have had the identify spell to start out with because it was established that she found her grandfather's old spellbook and studied that in her own time. It was then retconned that I must have had someone else identify it for me, as would any wizard who never actually learned the identify spell. I also made the point that I must be able to understand new spells, because I can choose any 2 from the wizard spell list to learn when I level up. The explanation there was that those new spells are a product of continued research into the arcane, but that still doesn't really satisfy me.

I'm not really sure how else to approach this because it feels unnecessary, but my points against it just keep being explained away. Any ideas?

Edit: it may not have been the right choice initially, but I did choose identify as one of the 1st level spells I already know (as a level 3 wizard). It seems that this rule was only put in place after he knew I had identify, which feels unnecessary and like I’m being punished for choosing a certain spell.
Also, thanks for all the replies. I will be attempting to speak to him again as he is a close friend, but will definitely be reconsidering my character choices.

Keag is an Orc, and an ugly one, who is in the same mercenary group as Axeor, 52-years-oldKeag the Giant's dialogue is characterized by its bluntness and rapid delivery. He often cuts straight to the point, using sharp, sometimes coarse language that reflects his no-nonsense approach. His words are as quick as his movements, leaving little room for misunderstanding or unnecessary pleasantries. and spends most of his time drinking or training.

So for context, this is Vesper, he’s my level 4 monk that’s part of a more grim dark type undead campaign. I’m just not sure if I’m using the subclass right, and I was wondering how you guys would use it?

I know the mercy subclass is meant to be used in a more supportive and healer based way, but right now I go all in for attack. My strategy is to use my crazy movement to get into combat immediately and tie down the strongest enemy in a group.

I then punch a single time and dodge every round. This offers enemies to have disadvantage against me consistently against 17 AC, which if they get through I’ll have deflect attacks in my pocket just in case. The moment they actually deal damage, I flurry of blows to get a free hand of healing on myself by replacing one attack. I then go back to dodging and punching once, only ever using my focus points on the healing flurry of blows or patient defence if I want to leave.

Is this a good use of the subclass? I was kind of inspired by JJK in that characters have access to personal healing, while being up close fighters. (Reverse cursed technique) which is why Vesper’s healing appears as pressurised steam.

Sometimes, its fun to throw out a no-nuance hot take when you're feeling a little chaotic at the function just to stir the pot, but all in good fun.

It doesn't have to be something you actually care about that much (really none of us should care about any of them that much because its a fun pretend game at the end of the day), but just something about the game that you think is fun to jokingly bicker about and laugh with each other in the end.

Here's mine:
Fighters are not the most boring class for role play; Sorcerers are.