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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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Hello everyone! I’m excited to share this commission I had the pleasure of working on ✨ Meet Cassandra, Champion of Corellon! While she isn’t one of my original characters, I had a wonderful time bringing her to life through this piece. I hope you love how she turned out as much as I enjoyed creating her. Thank you so much for your support and for taking the time to check out my work! 💜✨ Thank you!!

Somebody in my local area D&D Facebook group posted their desire to have a group of Oompa-Loompas great the party at the entrance to a dungeon and sing a song about what happened to the last party that tried to clear it; so I took five minutes and wrote one out. In hindsight I wish I had caught the autocorrect toward the end of the third paragraph but, I'm still kind of proud of it.

Not gonna lie; kinda feel like doing an entire Willy Wonka-themed oneshot.

For the moderators, the image is the original FB post and my response. I can’t claim credit for the OPs image, but I take full credit for the lyrics. Also, this makes 523 characters.

Hey everyone - this one is from years ago, but it still makes me laugh and brings back fond memories at times...

I was running my own homebrew world (started back in 2015) and had Lost Mine of Phandelver lined up, with Ghosts of Saltmarsh ready as the follow-up, but my party had other plans. After finishing Phandelver, they walked right past both story hooks for Saltmarsh, found a boat that wasn't theirs, and pointed it at the one spot on my map that was literally just a name: Dreadparish Isle (which was my placeholder for the Saltmarsh content that they completely ignored storywise)

So there I was, building an island on the fly while they argued about who had to row with skill checks and all. I remember them arriving there and I tried one last time to get them on board with the first mansion investigation story hook while placing a few other story seeds of my own that wer ejust there to flesh out the world. But all they were focused on was exploring more of the island thanks to my hooks.

The funny part is that the island never went away. It stayed in the world, it got a harbour, a council of captains and a whole history, and it keeps growing every time I come back to it (it even ended up in a book I'm writing currently, a fantasy novel set in that same world, but that's a story for another day).

So I'm curious on your journeys and experiences that came from them - what's the furthest your group ever went off your map? Did you improvise your way through it, and did the place they found end up sticking around long after the session or even campaign?

Cheers.

Had a really good session last night with a lot of laughs and some good combat so I thought I'd show off some art of my players. We're exploring a spirit realm atm and getting into some trouble in a ghibli-esqu setting using some of the Obojima source books.

An odd little group starting with Mochi, our awakened cat warlock; David the tiefling fighter and party tank; Brayum the party elephant-kin cleric/healer; and Bandit the bat-kin rogue who will one day blow them all up on accident.

Art by me; its a 80's aesthetic game so gave them some pop art character portraits.

A few more shots of my ruined city! There are so many little details scattered throughout this scene, and I had a lot of fun bringing everything together.

Hope you guys like the pics!

It's currently live on Kickstarter if you want to check it out

And there is a free tower STL!

https://www.kickstarter.com/projects/grimrotcollective/the-ruins-of-lumenfall-2?ref=3cjs9m

Who are these people?

• The woman with the flowers is Kayra - a changeling who replaced the real Kayra when the elder hags stole her away to make her one of them.
• The woman with not enough dress is the original Kayra, a night hag in disguise. Hags are not usually welcome in society, but these ones are special to the changeling.
• It's Changeling-Kayra's wedding day, and she just finally confessed to her betrothed that she's not really human. Happily, he was remarkably cool with it.
• The original Maid of Honour, Sassy, has her own thing going on. Best to give her some privacy.

If you're really confused, you could go back to the very beginning of the changeling's story arc.

Or even the very start of the series if you want to binge read and maybe laugh a bit.

Love and Hex started out as a joke about my D&D campaign and turned into an ongoing rom-com/existential horror story. It's on Webtoon and all basically most other places you can find webcomics. Also r/LoveAndHex. And you can find a version with a full transcript on my website. (There's also a book.)

Hello everyone! I've been learning my way to get into D&D because I'm legitimately interested, and I've noticed a lot of people treat it as if there's this dichotomy between having Orcs be pure evil without any mind of their own to do otherwise on one end while on the other it's that even if they commit horrible things they're vaguely neutral.

I don't personally interpret things that way, Orcs can be perfectly okay and you have evil individuals who do evil stuff for their own reasons without it being morally nuanced. My issue isn't moral clarity or ambiguity, it's the logic behind their acts. I don't want creatures who exist to be evil, that's lame, if an evil being exists I want him to have their own reasons even if the reasons are just "I want other people stuff."

Recently in my game we had a large combat encounter. Part of the party consists of a Goliath and a halfling rogue. In combat the halfling stepped behind the Goliath, who was directly adjacent to the villain, and rolled stealth to hide. Being a halfling, i allowed this without issue. But then the halfling stepped away from his hiding spot, moving to another unoccupied square directly in front of the villain, and expected advantage on the attack from being hidden. I ruled that once they stepped away from their hiding spot and exposed themselves, they no longer retained their hidden advantage.

The argument was, since the villain was being attacked from different places, the villain wouldn't be able to see a small person come into his field of view. My thoughts are, if this was done from a distance, i would actually agree. But because it was done in the combat square directly next to the villain, they would absolutely see the rogue.

DMs, how would you handle this?

Edit: I didn't clarify that this was all on the same turn, as well. If that makes a difference to your thoughts

Edit edit: It's 5e, like the flair says. Not 5.5