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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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This wonderful quote came from the youth club game that I run on a Tuesday evening.

This was from the party cleric just after he skewered cooked and ate the tiny screaming myconids for his breakfast.

It tickled me so I thought I would share it.

Hey everyone, I just figured I’d ask everyone what kind of standard house rules they use at their table. We use the following at ours.

1. Flanking, any time a creature has two enemies on opposite sides of them, they are flanked, all attacks against a flanked creature is at advantage.

2. Starting Feats, since about 2016 we have allowed every player to add a feat at level one as long as it wasn’t a half feat (variant humans can add a half feat and do get a second feat with their builds)

3. Swarms don’t attack, they just damage you when they occupy your square.

4. Swarms take 1 damage from piercing attacks and are vulnerable to anything that deals AOE damage.

A rogue battling with her thirst for vengeance and her own morality.
Her family slain by the infamous criminal Arkan, Rayne grew up an orphan on the streets of the port city Arabia. Survival was the theme of her childhood, her natural stealth making her the perfect petty thief.

But when fate knocked at the trapdoor of her rooftop abode, so too did her traumatic past. It is up to her to decide if she's willing to sacrifice everything to bring justice to her murdered kin.

Commissions are open if you're interested in having a character drawn! More info in the comments.

Commission work

Kell is a spirit clad in armor forged from the melted blades of fallen warriors, a blazing red eye burning beneath his helmet.

Drawn to bloodshed and chaos, he wields Th’urvēn, a colossal battle axe forged from the remains of a fallen Titan, whose ancient voice still whispers from deep within the weapon. Wherever Kell walks, war follows, leaving ruined battlefields and terrified souls in his wake.

5th Edition:

My current PC is an 10 Fighter/3 Barbarian.

Campaign is going to 15 and I was going to take 11 Fighter for my next level, then 4 Barbarian for final level. For my last ASI/Feat I'm considering between +2 CON (to 18) or getting the Tough Feat for an extra 30 Hitpoints.

Figuring CON might be better since it increases my saves by 1, but just wonder what y'all would pick.

Edit: Also, in case its relevant. I'm a Bear Totem Barbarian that has also gotten my hands on an Adamantine Breastplate recently.

Edit 2: Actually, as the main meatshield, would getting a feat like Sentinel be better? Only use my reactions for the occasional Brace or Parry maneuvers.

This episode was not supposed to have a cliffhanger ending, but given the gravity of what she's confessing, I couldn't fit it all into one page; it needed some room to breathe.

The last panel is a bit dramatic, but I was trying to do a thing with it. I think it worked out pretty OK.

What exactly is her secret?

• The bride, "Kayra", is secretly a changeling - a construct made of mud and sticks that was built to replace a stolen child over two decades ago.
  • (That stolen child is the real Kayra and one of this series's main characters; she was raised by hags, taught witchcraft, and grew up to become one herself.)
• Changelings are normally supposed to expire (or "die") after a few months, but this one not only survived... she grew up. And has spent her whole life masquerading as a human.
• Now she's about to get married... and despite multiple attempts, she still hasn't managed to confess her secret to her betrothed.
• The ceremony has already started. But before this goes any further, she needs to get it off her chest.

Believe it or not, Love and Hex is a comedy, not a drama. It started out as a joke about my D&D campaign and turned into an ongoing rom-com/existential horror story. It's on Webtoon. Also r/LoveAndHex. And you can find a version with a full transcript on my website.

There's also a book! Just search for it if you're curious.

So, as the title suggests, I am struggling with frequent session cancelations. The game is supposed to be every other week, but we've hardly played in months. I got frustrated enough to sit down and figure out; We have only had 6 sessions in the last 9 months. Of the cancelations, only one has not been the result of something other than the DM not being available.

Now, it seems that the DM has had very legit reasons (unless he's a good liar), so it's hard to be angry with him. But I really am having trouble controlling the urge to walk away.

My real life schedule and responsibilities are such that I have to go out of my way to ensure that I am free for the planned sessions. I really put serious effort into it because it's the only game I'm involved with, and the only thing I do regularly that is fun. I like the people, the campaign is good. But slamming on the breaks within days (at best) is taking it's toll. I've never known a group where the DM has to cancel so much.

I'm I wrong to feel like a DM who has that much going on should just step back? I'm I being selfish in my expectations? Or is this the problem that I think it is? Any thoughts?

So recently I got into drawing, I've been practicing a lot so it lead me down the way to try my hand at drawing both my first DND character and the character I'm using in my current campaign, a Tiefling Ranger by the name of Prido!

The current campaign she is in is Lost Mines where she both stole a man's pistol and also got herself a breastplate after we saved Phandalin from the Red Brand's(and killed some dinosaurs)