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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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The client wanted the three main characters of his campaign portrayed in a quieter moment of their journey: sitting around a campfire after a long day of adventure. As they rested beneath the stars, they shared stories, laughed together, and deepened their bond.

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Hey everyone! I’m a professional artist and I created this artwork for a client of mine. If anyone’s interested in having their own character brought to life (animated or not) my commissions are currently open!

These two lovebirds are characters from a Greek inspired D&D campaign I’m running.

Elagor is a flamboyant and highly renowned bard who earns her living by recounting the heroic deeds of ancient champions and god-kings. She now travels the world to rescue her mother—who was kidnapped by members of the enigmatic Cult of the Serpent —all the while singing of the exploits of her companions.

Recently, she has become the muse and lover of Loreus, an albino faun. He is a gentle artist and an NPC companion recruited by the party to assist them in their quest to save the world from the wrath of the Titans, who threaten to return to the realm of the living.

Ilyarion Valtris (Ilya for friends) is a high elf warlock for a D&D Greyhawk campaign, I was commissioned by Abi (Abigail R. Thenthirath, which happens to be a writer also) to bring him to life in this format (character sheet)

I'll leave you guys with the little text she wrote for his sheet :]

"He was meant for harbors, titles, and the cold inheritance of an old elven house. Instead, Ilyarion inherited loss. Now the high-elf warlock crosses the mainland with a bound sword at his side, strange power in his blood, and no understanding of the patron behind either. Quiet, watchful, and more tender than his composure allows, he is a nobleman remade by exile, slowly learning who he is beyond the duties and grief that shaped him. He tells himself he is searching for answers. In truth, he is following the shape of a love that outlived disaster, and the memory of the one person he has never stopped reaching for"

Thank you for the space!!

I have a good friend who lost his eyesight several years back. I was planning to start up a short beginner friendly campaign set in an infinite IKEA, and I thought he might enjoy a theater of the mind style game such as D&D. He seems interested, but figuring out the logistics of how he can play is definitely going to be a process.

Has anyone run games for the blind before? And, if so, what are some things you found to be particularly helpful?

A few Christmas' ago I was gifted this oversized d20 during my dnd group gift swap. The moment I held it I thought it felt like a shift nob. Fast forward a couple of years and I am restoring my 07 Subaru impreza I remembered the d20 and decided to turn it into a custom shift nob. I took the oversized d20 and drilled it out. Then I friction fit a threaded insert with a M10x 1.25 thread pitch. I used a second nut at the base that I can tighten against so the 20 faces the right direction. If the friction fit starts to fail I will probably try to epoxy it in place. I avoided it initially because I didn't want to risk getting epoxy on the threads. Would you guys drive with one? OK I think I have run out the word count to post. But just to be safe: I CAST POTATO!

I’m trying to get back into art/drawing again so I’m doing a random wheel spinner to choose race/class/background/alignment for new DnD characters to draw. My first day was an Air Genasi Druid - Urchin - CN ~ reallly leans into my comfort zone but that might be good for my motivation.

What backstory or name would you give her?

And if anyone has any suggestions or tips to stay motivated creatively or find irl dnd groups it would be a pleasure to hear them. I often go through months long phases where I don’t draw at all and my regular dnd group split up (badly there was a falling out between other members ;( ) before the summer too and I yearn to roll dice so I’m gonna have to go out in the real world soon and find people to play with again (hopefully with some of the previous group too). I felt like a child of divorce after some members of the party went their separate ways.

Instagram: https://www.instagram.com/5martist/

Video Process: https://youtu.be/jQ9ofpc_vUY

Twitch: https://www.twitch.tv/5martist

Artstation: https://www.artstation.com/smartist

Youtube: https://www.youtube.com/@5MARTIST

Anaxandria Ir-Arma

Anaxandria has only come into power within the last few months. Outwardly, she does not seem to rule through quiet diplomacy; she rules through explicit force, intimidation, economic restructuring, and swift, public demonstration. Wealthy merchant estates and former royal holdings in the upper terraces have been seized, partially converted into barracks for the Serat forces, or repurposed as state storehouses to control food distribution.

Anaxandria is not someone who craves a crown out of vanity; she is a survivor of a brutal, systemic hell who views the entire world as a cage that must be broken. Her personality is forged from the cruelty of her early life as an enslaved chattel in Ilindama. Because her birth name was stripped from her and she had to kill to claim a new one, identity to her is something earned, not given. She views weakness and dependency as existential threats. She is fiercely, terrifyingly independent and expects the same relentless self-reliance from those around her. Her deep-seated hatred for aristocratic privilege stems from personal trauma. She knows what it feels like to be treated as property. Hence why she handed the Dirt District back to the poor and tore down the old Aruna Pradesh rule. She doesn't just want to conquer; she wants to humiliate and dismantle the machinery of inherited power.

Pretty much what it says on the tin. I'm a relatively new and inexperienced DM, I probably have under 10 sessions to my name. I've read the Dungeon Masters Guide and I currently am dual campaigning Tyranny of Dragons and a Homebrew Campaign (Which is currently on pause because if a players circumstance).

In my Tyranny of Dragons campaign I have 4 players, two of which are first-timers. The other two are from my homebrew Campaign, so one has experience from that and the other has been playing DND for 5+ years. As of right now, they're all Level 1 (Sorcerer, Bard, Artificer and Ranger).

The player I am having troubles with is the experienced player, who is playing a Level 1 Tabaxi Ranger. In my other campaign, they're playing a relatively fair Level 3 Aasimar Cleric who just has super high Arcana modifiers, but is otherwise tame. Somehow, their ranger character has a +10 to hit at 1st level, which I don't even know how. They tend to steamroll all combat encounters because of this, and it's affecting the enjoyment of me as a DM and causing them to spotlight themselves, affecting the enjoyment of other players. It's something I don't really know how to navigate. Any advice?

Is it normally appropriate to ask your players to edit their character sheets in circumstances like this?

Edit: I haven't given any players a magic item to start and they did manual/rolled entries. They do have a 20 in Dex from that rolled entry.

A Necromancer emerging from a dungeon with what remains of her previous party members.

Had a lot of fun drawing this character but aside from the three shambling corpses behind them I’m worried that they don’t read as a Necromancer, mostly due to the clothing I think.

Is the clothing to wizard-ey? I don’t want to just slap on a bunch of skulls to “Necromance-ify” them but I can’t think of many ways to adjust the look. Maybe making them more gaunt and removing the hat? Or are they fine the way they are?

I’d appreciate any feedback or recommendations!