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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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Sister Carmilla is a devout follower and agent of the Church of the Crimson Rose, using her blood magic to punish the wicked.

About the Church of the Crimson Rose:
The militant followers of this faith hunt down the wayward and the wicked, judging and purging them swiftly and without mercy.

"Sister Carmilla. Blessings upon you—and may you never stray into the path of sinners."

Art by @Artofz

Hey everyone! It's been a couple of days since FanCon 2026 wrapped up here in Kyiv, Ukraine. While I'm not a massive Planescape or D&D fan (life is just too busy to dive into such a deep and complex lore), I stumbled upon the Lady of Pain while looking for cosplay ideas and absolutely fell in love with the character design! I could only find a few cosplays online, mostly of questionable quality, so I decided to contribute something of my own to both the cosplay and Planescape communities. So, here is my costume! Fun fact: I actually won 3rd place at the convention (1st and 2nd went to anime cosplays). I'd love to hear your thoughts, and I really hope this community likes it!

More photos and videos you may find on LinkTree on my profile!

As of the new Ravenloft book, I think that WotC still does not know how to write engaging monsters with interesting counterplay

Roughly half of the statistics blocks in the new Ravenloft book are simply updates to 2024. There are some new statistics blocks, like the mi-go, the shoggoth, the gug, the elder thing, the yithian, and Cthulhu; I am not entirely sure how a CR 25 monster with AC 19, HP 385, and no special defenses against getting mundanely attacked to death is "a threat to the entire multiverse," though.

Amongst the returning statistics blocks are the three types of psionic inquisitors. The one I would like to zoom in on is the inquisitor of the Mind Fire. This could have been WotC's opportunity to write something engaging.

HP up from 77 to 104, Constitution and Charisma modifiers (and thus saves) up by 1 each. Okay. Fair enough.

Inquisitor's Command (Recharge 5–6). Wisdom Saving Throw: DC 16, each creature of the inquisitor's choice that it can see within 60 feet. Failure: The target has the Charmed condition until the start of the inquisitor's next turn. On the Charmed target's turn, the inquisitor can telepathically control the target's move and make the target take the Attack action (the inquisitor chooses the target), the Dash action, or no action.

Maybe this is fine. No counterplay, but it is limited-use, right?

But then...

Multiattack. The inquisitor makes three Silvered Longsword attacks or uses Mind Fire three times. It can replace one attack or one use of Mind Fire with a use of Spellcasting to cast Hold Monster if available.

Mind Fire. Intelligence Saving Throw: DC 16, one creature the inquisitor can see within 120 feet. Failure: 9 (1d8 + 5) Psychic damage, and the target has the Stunned condition until the start of the inquisitor's next turn.

I do not know. This kind of monster design does nothing but engender a real slog of a combat: low damage, PCs getting stunned, no counterplay.

What do you think?

CR 8, for what it is worth.

This is not the first time I have complained about this: https://www.reddit.com/r/DnD/comments/1p2gpsd/speaker_devil_why_are_we_still_getting_stunlock/

And of course, this still has nothing on the 2025 cloud giant and its own incapacitating artillery attacks: https://www.dndbeyond.com/monsters/5194947-cloud-giant

This is a client's OC Dammon Delmirev ^^

He's a very old Golden Dragonborn with tons of battle scars, missing fingers and chipped parts, a true veteran lawman. He wears his wild rag in a 'Buckaroo square knot' giving a proper well adjusted character while being a bit casual.

We talked about adding a gold pocket watch as an accessory to complete the look. Client mentions he also run him as a Paladin and would like the Holy symbol of Bahamut on it. Given pocket watches are commonly hidden, we agreed to put the engraving on the 'Drop' (its that decorative end of the pocket watch chain)
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Really enjoyed working on this one, they were very descriptive awesome to work with ^^

I recently illustrated this tiefling adventuring party sharing stories around a campfire after a successful quest.

One is an illusionist who never stops talking. Another hunts monsters for coin. One is rumored to be the Devil's bride. There's also a noblewoman, a bat-eared troublemaker, and a tattooed devil who offers power in exchange for souls.

Honestly, drawing parties like this is one of my favorite things about D&D.

Which character would your adventurer sit next to by the fire?

For anyone curious:

Acuity: illusionist

Aria: Devil's bride

Mara: knight mercenary

Vigil: noblewoman

Ripley: troublemaker

Mistidae: contract devil

Heeyo! I’m Nodly, and if you or your group liked this and would like to have a piece in this style, feel free to reach out and ask any questions, my DMs are always open ^^

Mirelia Quince looks like someone who hasn’t slept well in years and has made peace with that. Her skin is a muted gray-blue, marked by dark circles beneath heavy-lidded eyes. Her expression rarely shifts from distant or unimpressed, but she watches everything, even when she appears barely engaged.

Her dark hair hangs straight and unstyled, cut bluntly at the bangs and falling past her shoulders in uneven lengths, as if trimmed whenever it becomes inconvenient. In public, she wears a deep hood that shadows her face and conceals her horns, kept short, polished, and practical. Her lips are black, matching her baggy eyes.

Mirelia’s clothing is simple but deliberate. Dark layers cling close to her frame, stitched through with protective sigils disguised as seams and hems. Silver thread glints faintly in the right light. Charms, bones, and broken talismans hang from cords at her waist. When she concentrates, her eyes glow faintly, like embers under ash.

Most of the time, Mirelia is quiet, intense, and withdrawn. She speaks carefully and rarely jokes, carrying responsibility like a constant weight. When magic is involved, something intricate and real, a flicker of genuine excitement breaks through her reserve.

Mirelia believes magic exists to stop suffering. She does not trust faith, fate, or luck to do that work for her. If someone is hurt, it means she missed something. This belief drives her relentlessly forward and leaves exhaustion in its wake.

When her magic fails, she is precise and composed. When it fails, her anger comes fast and sharp. She swears loudly, pacing, tearing apart her own work to start again, or pushing herself past exhaustion in an attempt to regain control. She does not enjoy this part of herself, but she does not deny it.