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The purpose of this thread is for artists to share their work with the intent of finding clients, and for other members of the community to find and commission artists for custom artwork.

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A character design and illustration I did as part of a 5e greek dnd campaign for a client!

🌟 Commissions Open 🌟

I draw:

🌟 Character and creature design and illustration

🌟 Background Illustration

🌟Prop Designs

🌟Simple animatics and videos

🌟 Png Tubers

🌟Comic panels

═════════════════════

💲 Starting Prices

🌟Colored Portrait: 45€

🌟Half Body: 75€

🌟Full Body: 105€

(More details on VGEN. All prices and requests can be negotiated)

🟢 Payment through Vgen 🟢 https://vgen.co/iridraws/ (PayPal or Stripe)

You can view all my services, TOS and prices there!

Dm me (preferably on Discord: iridakar) if interested.

Hi everyone, I hope this post finds you well.

First and foremost, thanks to the mod team for the approval.

I was thinking of sketching some characters for the community!

All you have to do is comment below with a description of the character you’d like me to portray. I’m going to try and do as many as I can with my limited time for the evening (European time) and keep it restricted to portrait or half-body sketches to get to as many of you as possible.

You don’t have to, but if you’d like to support me, you can consider joining my Patreon, where I share ready-to-play characters and more!

Thank you!

Red

UPDATE

Oh man thank you all for reaching out, we've been at it for almost 6 hours and I might have to call it a night here. To those of you I missed, thank you so much for sharing, I read all of your cool characters, sorry I couldn't get to you!

Thank you so much for participating guys, it's been super fun!!

I've noticed that most people that I've played with only use warforged as a template for whatever robot character they want to play, rather than an actual... you know, warforged from Eberron. I understand that this is mostly because compared to Forgotten Realms, Eberron is less known.

But, now I've become curious; is this common for everyone else, or is it just me? I've had people play a cowboy robot, a radio-voice robot (think Bumblebee), a haunted diving suit, and, most recently, a war robot with a self-destruct button.

I don't actually mind this at my tables, I just think it's a bit sad that such an interesting species gets reduced to a mere template, so I hope it gets treated differently at other tables.

Hi, there.

Weeks ago I posted a drawing I did of this little guy. Now I am making a short aniamtion of him and a friend and I would lik to share with you.

Burp Jumpingsword:

"Not sure how I can present this guy, and the images usually come to me before the story the little I know is that he is born in a smollll village on a lake. His parents are both peasants that work for a rice farm lord. He is a shy guy that work as a soldier for who pays the most. But he does have his value code, derived by the teachings of his parents. So money is not everything for him. and more: He CAN'T KILL!"

Yes, I know, very simple and mehh, but I will work that better later on.

Hope you like it

Erika Amir, an elven girl, just turned 19 years. Coming from a village called Silberquill that lives from fishing.

Her family, made out of her, her brother and her father. Her mother died when Erika got birthed.

She helped her father with fishing and serving fish and something called "Fischbrötchen" to customers.

Yet one day she got kidnapped by a group of bandits, when she was only 8.

On the way they traveled through a dangerous fog that lingers in this country, that comes out every night, mutating the animals and beeings that dare to leave the safety of thier light at home.

Yet there is a item that helps to scare the fog away. It's called a fog latern, and usually gets carried by Fogguardians, knights in sliver armor.

So Erika was carried in a cell on a Wagon, in chains, bound to the floor and her mouth gagged with a cloth. The bandits were able to go through the fog because they somehow managed to get a fog lantern. Yet the beasts that linger in the fog don't like it as much as thier user.

So they got attacked and in this kaffuffle Erika got free when the wagen got criticaly damaged.

The Girl was able to escape and even steal some stuff from the bandits that were already dead.

So she flees into the near by forest where people live in the trees, instead on the ground where the fog is.

Sadly Erika couldn't get into the City and fell victim to the Fog, which started to contour and change her body. And so she became the Wendigo that gave traveller's quite the trouble, but also the people in the city.

10 years went by and Erika found herself in the mutt, right outside the forest on a grain field.

Her clothes were torn and dirty, it was chilly and early in the morning. She only remembered that she was in the forest a moment ago before she had a collections of memories that she was in a white plane where a child made of smoke or fog was sitting. They talked and played a bit until they became friends. The child sayed she should go to a city called Eichenbrunn to get something for him there and she applied.

When she gathered herself she noticed that she got alot older and was now 18. But not only that, her skin got a bit darker, she got white freckles, antlers and a little deer tail. Yet she knew that mutated people are not very much welcomed in society.

Fast forward a bit, she stood for a year or so in a small town where she got adopted by a veteran and his handy daughter. They gave her safety and thought her quite alot to survive out there. She got a grip of her new powers she got from her friend she can talk to any time. She also had to get more and more control of her new Wendigo form that sometimes takes over, which lead to some people go missing in the town.

So she ran away to not get herself or the adoptive parent's and so she went to the city Eichenbrunn where the campaign started for her.

She usually hides her tale beneath the cape and the antlers are some kind of head decoration ;3

this is the current placeholder ref for the Wendigo form. But it grows from top to bottom around her, beginning at the antlers while her hair turns black.

It grows around her like the titan forms from "Attack on Titans", only that her head is in the Wendigos head.

When she leaves it, it's chest bursts open, the ribcage turned slightly outward. Making the chest look like a gapping mouth that she can climb out from, before she gets released from the head.

The Wendigo form then dissolves into black meat goo before turning to dust.

Hi everyone, my friend found a bunch of prep work someone had left behind on an Amtrak train to Chicago from Champaign this weekend. He doesn't use reddit so he wanted me to post to hopefully find the poor DM who lost their stuff!

What was Found: a barely-used large sketchbook with some monster sketches, and a neon green case with character sheets, etc.

This has been a settled topic for a little over eight years now, and yet, I constantly see posts here and on DnDnext about the differences between Warlocks and Clerics.

It pains me to see easily disproveable information spread repeatedly, so I'm making this post as straight-forward and to the point as I can.

As per Mike Mearls, the co-designer for 5th edition:

https://youtu.be/iiS5mkIff\_8?is=Evgfzcy\_Jvo02dXo

2:00 - 2:31

A Warlock is a learned spellcaster. A Warlock's patron teaches them how to access the Weave in a particular manner unique to that flavor of patron (subclasses).

A patron cannot un-teach a Warlock how to access the Weave in that particular way. A Warlock can kill their patron and maintain their powers.

Furthermore, as per the video linked above, a Warlock's relationship with their patron was intended to be a settled affair, before any given campaign even begins.

If a Warlock player wants to have their pact still ongoing, that is something that they should discuss with their DM during session zero. It should not be assumed.

Many of these points have been clarified in Sage Advice rulings on this topic over the years, which I would highly reccomend seeking out.

If there is anything I am missing, I will add an edit to the bottom if/when I am provided that information.

Edit: I'm making this edit because I see a lot of people reading this post and getting the wrong idea—I don't think there is any definitively bad way to play or DM for a Warlock. If your setting doesn't have the Weave, or it requires an ongoing pact, that's a/ok, but it is something that should be discussed during session zero to establish expectations. This post was made for a very specific type of DM to find it and hopefully learn something—the type of DM that is always on the lookout to destroy their Wizard's spellbook or convert their Paladins into Oathbreakers. This was a massive problem in older editions. For better or worse, 5e changed the rules to help safeguard against those kinds of DMs.

I’ve been working on a redesign of one of my D&D character - Melisa. She’s a Moon Elf Bard, originally a fighter who eventually found a new path through music. I wanted this version to feel more ethereal and magical while still keeping hints of her past as a warrior. Her story revolves around redemption, healing, and finding a reason to keep moving forward after everything she’s been through. Hope you guys like her like I do^^

I finally made my dream D&D character sheet! (I'm not as familiar with 2024 as 2014 but it should work for both?)

I put initiative with dex skills, concentration with constitution save, extra skill spots for every ability, a place to describe vision, a short-rest section with the hit dice, the proficiencies check-box style like the 2024 sheet, a separate slot for shields and defense, then divided the rest of the sheet by action, bonus action, reactions, and other abilities (including the standard actions for reference). I also included a section for passive abilities in the bottom left, this is where I usually put things like "jack of all trades" or the "tough" feat that are included in the stats elsewhere but I want to keep a note of them for reference.

Thoughts?