**Come here and talk about anything!**

This post will stay stickied for (at least) the week-end. Please enjoy this space where you can talk about anything: your last game, your current project, your patreon, etc. You can even talk about video games, ask for a group, or post a survey or share a new meme you've just found. This is the place for small talk on r/rpg.

The off-topic rules may not apply here, but the other rules still do. This is less the Wild West and more the Mild West. Don't be a jerk.

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This submission is generated automatically each Saturday at 00:00 UTC.

**Come here and talk about anything!**

This post will stay stickied for (at least) the week-end. Please enjoy this space where you can talk about anything: your last game, your current project, your patreon, etc. You can even talk about video games, ask for a group, or post a survey or share a new meme you've just found. This is the place for small talk on r/rpg.

The off-topic rules may not apply here, but the other rules still do. This is less the Wild West and more the Mild West. Don't be a jerk.

----------

This submission is generated automatically each Saturday at 00:00 UTC.

A few weeks ago I ended up playing A Christmas Belonging for a Xmas in July event that a discord server I was on held. It is basically a soapy holiday movie players collectively create. It is diceless and GMless. We ended up hosting a rigged cooking contest in a small town, having secret royalty, a snooty reporter with dubious morals, a kid with a curious pet we kept sending off to do our bidding because we were terrible adults and a hell of a lot of misunderstandings.

Then there's The Play's the Thing in which you get to rewrite one of Shakespeare's works. It's weirdly enough by Magpie. Each player claims a character and has moves as the actor to change the script. Expect shenanigans and absurdity, even more convoluted romance, heroes turning into villains and villains into heroes and, of course, tragedy! In our play only one character got to live.

Or there's Bluebeard's Bride, a feminine horror based on the story with the same name where you play as feminine archetypes in the head of the bride as you explore the forsaken mansion trying to eventually answer the questions: Who will you trust? What do the horrors in each room mean? Will you open the door you were told not to?

Then there's Greenwood Outlaws, a FitD game where you play as animal outlaws. Fine. You're playing Disney's Robin Hood.

Lately, Good Society has been piquing my interest even though I kinda' live under a rock and only read Jane Austen for school. It makes me watch the movies and hit the library!

I really enjoy games like this.

I'm prepping to run my first session of this game, reading through the "Oddpocrypha" at the back of the book. On the "Landmarks" page (199) it talks about ruins each being tied to a myth, and that the referee in the example rolled a prompt for a "crumbled bridge" and noted that it related to a myth called "The Blade". I've scoured the book to find out how the referee noted this. Not only that, the page for "The Blade" (57) doesn't mention any kind of bridge, though the landscape would allow for it. The prompts below the Myth pages do include ruins, but none of them seem to relate to the myth above them.

Right now, I feel like 1.) I'm missing something, 2.) the text is referring to a rule that was eliminated in the writing process, or 3.) I'm losing my mind. Can anybody help me? Thanks!

Like the minute it was announced with star wars and WoW it just clicked and answered every question I had about this. I know essence 20 isn’t particularly popular on this subreddit but as someone who really enjoyed the line and thought it fixed a lot of issues I had with 5e it just hurts even more to know that it’s just to make more slop for dnd beyond. Even ignoring just how much none of the settings actually fit into 5.5e frame of character creation it just sucks to lose someone to corporate greed and as someone who primarily played the power rangers line I’m not even garenteed anything as we only get it if gi Joe and transformers does well. And we never got the magic sourcebook that was teased at the end of the monster manual for power rangers instead I get a maybe on a second edition of porting the game to a worse system. Fuck this man I’m just tired and beat

TLDR: what mechanics have you grown to appreciate RAW and has made your experience more enjoyable by engaging with them as written.

Something I commonly see in many games is how swiftly people wanna house rule away something before they even try it. Trying different games and being more respectful of author intent has given me alot more appreciation with what the text can bring to the table without me doing anything.

Lately my game of choice, Cypher (2nd edition) has really started to click at my tables for me in a way that wasn't before and it because i was able to really gel with what the books were trying to feed me.

Without going into intense detail, Cypher can come off like players always win; everything your characters do will or should be a success. BUT that's not what it has to be nor what it wants to be. YES cypher puts the onis of success more in the players hand than in other games BUT at a cost. The trick is to let that cost slowly rise over the adventures, creating tension within the players to not only use their character skills and abilities, but rely on their friends or magic items more and more, of which everything has limitations to.

If by the end of an adventure my team saved the princess, killed a demon, and recovered the shiny golden brisket, but none of them have any recovery rolls nor resources to spend on any more rolls, even if they took no damage (cause both c1 and c2 can be death spirals) then i consider that an exciting climax to a session now. I made them consider every option and work for every success. And my table soften reflect that back to me.

There's many more games for me to tap into and find and id love to see what mechanics you guys had initially struggled with but now find its integral to the experience the book tries to show?

Urban Fantasy, as a genre, is often modern day Earth that has magic and other supernatural elements to it. Typically with some kind of veil or masquerade preventing regular people from knowing about it, so the authors don't have to figure out how public knowledge of the supernatural would have changed things throughout history.

Personally, I'm not a fan of that type of setting conceit, but finding urban fantasy games/settings that lack it is like finding a needle in a haystack. Since, at least for me, what makes adding fantasy elements to modern day Earth interesting is seeing how different things would be because of those fantasy elements.

Which got me thinking. What about an urban fantasy setting that is a fantasy world that wasn't trapped in medieval stasis? A fantasy world that has progressed beyond the pseudo-medieval society & tech levels, to something akin to modern day Earth.

Outside of generic rpgs like Savage Worlds or Gurps, does anyone know of any rpgs that do something like that?

Obviously, I use pre made statblocks but sometimes I just can't find the one that "fits". I've come to love making the monsters as much as the npc or even (some) PCs. If you make your own, what's that process look like for you?

Hello all,

Im trying to enable gameplay for a couple of players at my current table that will be moving to another country. We all still want to play together, but with the majority of us playing in the same place I was thinking about tryting to do a Hybrid setup instead of a full virtual one.

Think like Critical Role when Ashley Johnson has to play remote for a while.

Has anyone tried this before ? Was it worth it? What did yall do? If you were the hybrid player how did it feel ?

So I’m finally quitting my Daggerheart campaign after another terrible session (short version: GM who thinks his only goal should be building fear and never letting us make any choices that deviate from his rails or let us roleplay and two players who boss everyone around and have main character syndrome). And the thing is, while I have done a oneshot with friends I really enjoyed, this group has made me never want to even hear about Daggerheart and especially age of Umbra.

Conversely, I think one of my favorite gaming experiences was a Songbirds oneshot. Cause I had a FANTASTIC group. An engaged GM and other players who were “yes and” ing, everyone was happy to share the spotlight…but the system, while really creative and the vibes are immaculate, it’s a bit of a mess

so it got me thinking: has anyone else had otherwise fine systems that you don’t want to play because of bad experiences or alternatively, systems that you don’t think are that good but you had a group that made you really like it?

for a more neutral example: I actually really like draw steel but here’s how every group around me that tries to run it goes “oh you’ll love the system! it even has a great starter adventure that acts as a tutorial!” “oh, schedules didn’t line up!” next group “oh you’ll love the system! it even has a great starter adventure that acts as a tutorial!” “oh schedules didn’t line up!” …I have killed that same set of goblins 4 times. we can never get a group to last more than one session, lol. I’m like a kid at an old video game kiosk playing the same demo over and over.

Dungeon crawls usually have a lot of violence (especially CRPGs), but I'm looking for a dungeon crawl with low or no violence. Basically, something that is going to have a lot of the same feelings and vibes but just without violence and combat.

Note: I know lots of OSR games that treat combat as a failure state / fallback position when other methods fail. For purposes of this question, I'd like to exclude that from this question as being part of the low-violence category. (They're fun but I've got a ton of those already.)

EDIT: For clarification, I'm fine with traps and other similar types of dangers. In real life, a trap that shoots spears at whoever passes would be violence; for this question, I'm not.